ALEJANDRO, NFTS DON’T HAVE THE BEST REPUTATION. YOU ALREADY SPOKE TO THE ROLE OF MONEY IN ITS MARKET, BUT NFTS HAVE ALSO COME UNDER FIRE FOR THIER IMPACT ON THE ENVIRONMENT (THE CRYPTOCURRENCIES USED TO BUY AND SELL NFTS GENERATE CARBON DIOXIDE EMISSIONS THAT CONTRIBUTE TO CLIMATE CHANGE). WHAT DO YOU MAKE OF THESE ARGUMENTS?
AC: They are not arguments, they are opinions. I don’t mean to say that there aren’t carbon emissions being created from our ecosystem of NFTs, because that is a reality of having a house, of having a car, and of being a human being. The responsibility of us as artists and platforms is to try to find a counter-balance to those emissions. In Obscura, we work with
Carbon.fyi and Elessia and we offset some of the carbon emissions we are creating.
MONA, AS A CURATOR, WHAT ROLE DOES THE REPUTATION OF NFTS PLAY IN THIS SHOW AND ITS CURATION? WHAT DO YOU HOPE YOUR AUDIENCE TAKES AWAY FROM THIS SHOW?
MK: My objective is to bring NFTs to the attention of Angelenos. I do want the conversation to come to the sidewalk and come to people of all ages, backgrounds, and socio-economic backgrounds. Good art should make us think, and in this show, I want our audiences to think about the micro and the macro. Is the billboard a macro and the NFT a micro, or is it vice versa at this point? Those are the types of conversations I hope the billboards spur, and I cannot wait to engage in those conversations about pivots in the art world and see The Billboard Creative start those conversations.
ALEJANDRO, WHAT DO YOU HOPE THE AUDIENCE TAKES AWAY FROM THIS SHOW?
AC: Art in public space is an opportunity to think of ourselves as human beings. It’s an opportunity to have conversations that wouldn’t be had if those pieces were not there. It’s a way to activate public spaces and create passive consumption of art. My end goal is to put conversations in people's mouths, whether it be about NFTs, the work of art, the ecosystem, even the carbon emissions. When those conversations are had, we all win as humanity.