Tommy Kha's photographs flip the genre of self-portraiture on its head, by substituting the artist's body for 3D printed masks, cardboard cutouts, plaster busts, digital scans, and an endless ensemble of doppelgängers bearing his signature deadpan likeness. "Self-portrait photography has been tied together with identity so much that it's become a synonym for it," he says, "First and foremost, I am interested in how truth is easily dislodged." Growing up queer and Asian in the American South, Kha now uses the camera to control his own representation.”